Leaving Home

a play by David French

About the Production

Set in 1950s Toronto on the eve of a shotgun wedding, Leaving Home is a play about love, loss, and intergenerational conflict. Fifty years after its legendary debut, David French’s moving and personal depiction of the fraught relationship between parents and their children continues to speak to what it means to be part of a family.

Staged in the round for a limited audience, our award-winning production (2025 Theatre Nova Scotia Robert Merritt awards for Outstanding Production and Direction, with seven additional nominations for performance and design) in Toronto’s celebrated Coal Mine Theatre (2076 Danforth Avenue) is a rare opportunity to experience one of Canada’s greatest dramas.

The production is 2 hours long, including one fifteen minute intermission.

some moments

Coming Up Next

Leaving Home at the Coal Mine Theatre, June 10-22

About

David French

David French (1939-2010) is one of Canada’s best-known playwrights, having won many awards for his plays, particularly the Mercer family series: Leaving Home, Of the Fields, Lately, Salt-Water Moon, 1949, and Soldier’s Heart. Other works of note include the backstage comedy Jitters, a translation of Anton Chekhov’s The Seagull (with Donna Orwin), and the pool hall drama One Crack Out. He was born in Newfoundland and spent much of his life between Atlantic Canada and Toronto. French was the first inductee in the Newfoundland Arts Hall of Honour. He also received the Queen’s Jubilee Medal and was named an Officer of the Order of Canada.

Leaving Home is a landmark play in Canadian theatre history. After its premiere run as part of Tarragon Theatre’s inaugural season in Toronto (1972), the play went on to be produced at nearly every regional theatre in the country — the first Canadian play ever to do so. It also received many international productions, including an off-Broadway run. Today Leaving Home is taught in high schools and universities across Canada. It has been named one of the “100 Most Influential Canadian Books” (Literary Review of Canada) and one of the “1,000 Essential Plays in the English Language” (Oxford Dictionary of Theatre).

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